Yes, I’m already a massive fan of Simon Amstell and all of his work.
Yes, I’m already a committed vegan.
But this comedy/drama/documentary/mockumentary, or whatever heading you put it under, is a masterpiece. And I want everyone to watch it.
Simon Amstell’s comedy has always been funny because it’s so honest. Even back to his Popworld and then Buzzcocks days, he made us laugh by taking the piss out of popstars with lines containing nothing but the truth.
When he annoyed Preston from Ordinary Boys (they had that one hit that no one remembers) so much he walked off the show, and left the audience in stitches, all he did was read from Preston’s then-wife’s book. The jokes literally wrote themselves.
His stand-up material is made up of self-deprecating stories of loneliness, and his sitcom Grandma’s House is pretty much autobiographical; so you get the point, Amstell doesn’t tend to beat around the bush.
And Carnage is no different; except it isn’t about his own disastrous dating stories or stupid things popstars have said – it’s on the slightly more serious topic of veganism. It is backed up by real-life events and scientific fact; but it’s still hilarious?! That is the genius of it.
Everything he says – in his documentary-narrator voice – from the raping of cows, to chicken periods, to food rationing during the Second World War – is true. Yes there’s some fictitious characters thrown in (obviously, it’s set 50 years in our future), but for the most part the people and the shocking facts are real.
It all sounds so ludicrous that it is funny – but it’s all true! Down to the woman dressed as a cow singing on stage about how her babies have been taken away – it’s funny and moving (mooving, if you will) all at the same time. I think we all thought that that was impossible but somehow the people behind Carnage have managed it.
I even got emotional towards the end thinking about a world, or at least a Britain, where eating meat and dairy was unthinkable. I teared up at a goat jumping for joy on an old mattress for crying out loud! The fact that we know the images from the past – i.e. 1944 up until 2017 – are real, make it seem like the fictional events that come after could actually happen, which leaves a kind of sense of hope as well as entertainment lingering after the film is over.
It’s so good that I don’t think I’m doing it any justice in this review; so all that’s left to say is please go and watch it on BBC iplayer now!